By Naomi Cohn
After getting held up in the Y parking lot all those years ago, after the weirdness of seeing the dark circle within the approaching gun muzzle, after feeling the metal on my cheekbone, the exact spot I’d bumped with the phone receiver earlier that day, after the adrenalin rush, after the police report, after hugging my friend who lost her wallet but managed to keep her car keys in her pocket, after realizing all they’d gotten from me was a gym bag full of sweaty clothes, broken-down running shoes, and a book on feminist performance art, after it all, when I was alone in my barely-more-than-a-studio North Side apartment, I had possibly the best crap of my life, because—air filling lungs, nerves reporting the chill of seat on thighs, bare toes mapping the hexagon shapes of grout between floor tiles, a sphincter muscle relaxing, a single smooth stinking coil of gut-work—how else to sing the praises of being alive?
Naomi Cohn’s forthcoming book, The Braille Encyclopedia (Rose Metal Press, 2024), examines vision loss and relearning to read and write as an adult. Raised in Chicago, she now lives on unceded Dakota territory in Saint Paul, Minnesota. Find her at naomi-cohn.com
About “Homage…” This piece got its start in poetic exchange with Meryl Natchez, who invited me to collaborate with her during Ross Gay’s workshop at the 2023 Minnesota Northwoods Writers Conference. Big gratitude to all who made that time in Bemidji such a generous and generative experience.
Image by Hubert Buratynski courtesy of Unsplash
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