By Tom Fate
When I arrived at the Stella Maris chapel, orange and blue rays of sunlight flooded through a stained glass window. The warm shafts of color felt like answers to a question I didn’t know how to ask. So I stopped trying, and instead took a picture of the window and the wild spokes of light with my cell phone—a photo that later befuddled me.
The image just didn’t make sense. The rainbow of warm colors was gone, replaced by a ball of eerie green light. Where did that come from? Why didn’t the i-camera see what my eye-camera saw? Had I missed some sacred revelation that afternoon in the chapel? Was it an apparition of some Granny Smith god?
Over the years many spiritual seekers have taken photos of holy apparitions in unexpected places: Jesus appears on a pancake, a burnt tortilla, or a chicken nugget. The Virgin Mary appears on a slice of pizza. Should I have called the news media to share my own miraculous encounter with the divine?
No, it turns out. A photographer friend later explained: not holy apparition, but wholly accident—a common mechanical misfire known as “lens flare.” The sun causes a reflection on the lens, which is misread by the camera’s sensors, confusing its digital brain.
The beauty of the light could not be captured by my iPhone 8 camera, only by the blood, muscle, and nerve of a much older model.
Tom Montgomery Fate is the author of six books of creative nonfiction. The most recent is The Long Way Home, a travel memoir (2022). A regular contributor to the Chicago Tribune, his essays have been widely published, and have often aired on NPR and Chicago Public Radio.
Image courtesy of the author
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