By Matthew Vollmer
It wasn’t a nickname. It was her real, actual name. She’d been Hubby for eighty-three years. Ever since the old doctor, riding a mule over creeks and ridges, ducking his head under limbs, whistling a tune to pass the time from town to holler, arrived at her mother’s cabin and presided over her birth. Once born, the doctor said he’d give the mother fifty cents if she named the baby after him. It wasn’t the first time Dr. Hubby had paid a new mother to perpetuate the moniker. At one time, these mountains had been full of Hubbys. To this day, you can find markers in cemeteries with “Hubby” carved into stone, not far from the graves of their mothers, who, with swaddled infants pressed against their heaving breasts, had traded two coins for a name. They’d imagined what fifty cents could buy them—three dozen eggs or ten loaves of bread or six cans of applesauce or ten pounds of sugar or a new pair of stockings or two tickets to the movies or eight cans of tomato soup or two pounds of Wisconsin sharp cheddar or maybe even a single spring chicken—and with one hand they patted the backs of their babies, and in the other they rubbed the two quarters together, relishing the heat the metal generated in their palms, whispering h-u-b-b-y into their babies’ ears, incorporating it into lullabies, convincing themselves that it was—why not?—a name they could live with.
Matthew Vollmer is the author of two story collections as well as the collection of essays, Inscriptions For Headstones. He recently edited the anthology, A BOOK OF UNCOMMON PRAYER. Other work of his appears in Best American Essays 2013 and The Pushcart Prize Anthology 2015. Currently, he directs the undergraduate creative writing program at Virginia Tech.
Image provided by darkday via Flickr’s Creative Commons licence.
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