By Meg Senuta
December 21, 2015
We lingered after dinner in a cavernous ill-lit restaurant that was empty, except for my husband and me, and our two young boys, and a couple who were seated far on the other side of the room. Warm and full, we were in no hurry to suit up for winter, which waited outdoors. I dipped my finger in my water glass and ran it evenly around the rim. After a few circles, it started to sing, a fragile ethereal sound, a sound of the soul. My boys, intrigued, dipped their own fingers in their glasses and as each got the hang of it, each glass sang its own note. My husband joined in. The four of us made a noisy, harmonium chorus, an angelic music that soared in the room, as if the floor-to-ceiling windows were joining in, collecting the energy and reflecting it in the darkened windows of the restaurant, the candles of the tables glinting in the glass. The snow outside glowed slightly visible, like a bleached coral reef deep in the ocean. The chorus rose to a crescendo, louder and louder and then one by one, we stopped, until the last glass went still. We smiled at each other, as if we’d discovered something. Then, from the far side of the room, we heard a faint response—the couple seated there rimming their glasses. We felt it was an answer, a connection, and we listened until their music went silent, too.
Meg Senuta was a community organizer for the United Farmworkers Union; started an art center in northern New Hampshire; studied textiles in Sweden and earned an MFA in Fiber Arts; sold work at the Torpedo Factory in Virginia; produced audio visual materials for reprehensible trade associations on K Street; joined a writers’ group eleven years ago and in 2013-14, was a member of the first Memoir Incubator at Grub Street in Boston.
Photo: “replete” provided by Jenny Downing via Flickr.com creative commons license. (Photo cropped to square)
0 Comments