By Chloe DeFilippis
If I put my ear to the hardwood, will I hear the shuffle of his steps? The Velcro shoes? I never saw him with his socks off. I imagine his toes like his fingers: thin with long thick yellowing nails. “To grab things with,” he told me, placing a penny on my tiny palm. His hands smelled like his reminders: keep loose change and birdseed on you at all times. His movements were slow and careful, deliberate and with purpose. I can see him, some days, sneaking across our front porch, pulling the chain of his homemade lock, the door only few can open. And I imagine, sometimes, lying down in the middle of his now-gutted kitchen, pressing my cheek to the cold, dusty hardwood, feeling his presence move all around me, that he’s still here.
Chloe DeFilippis’ work has appeared in Voices in Italian Americana, Olive Grrrls, and Vending Machine Press. Chloe holds a B.A. in English/Creative Writing from New Jersey City University. Chloe has presented her work with the Italian American Writers Association, at the John D. Calandra Italian American Institute, and at the 46th Annual Conference of the Italian American Studies Association. Her memoir work was recently published in Issue 2 of Ovunque Siamo, and her poetry is forthcoming in WAVES: A Confluence of Women’s Voices.
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