the hand of an infant grasping the finger of an older adult

A Grandmother Listens

September 3, 2018

By Gail Hosking

She is a bird in song with whole consonants flying out of the cave of her tiny mouth, the tones airborne like a floating leaf. She hands me a block, and with it comes language not yet molded into comprehension, but so sweet, that I listen carefully like one does on a forest walk. You can see understanding in her eyes as clear as a bell ringing from a cathedral. “Shake it, Alta,” her mother tells her when referring to a small plastic jar with something loose inside. “Shake it real hard.” And she does suddenly, back and forth with amusement. Her two pigtails of blond hair stick up from her 18-month-old body.

One hour you hold her head in your palm—the day she first cries in the world—and you try on the sound of her name. Then here she is with her new inflections of cadence and pitch. Words and sentences will follow. Whole paragraphs will arrive too like cries of a loon on a lake. She will gather these utterances and lean toward us to speak their worth. It’s a testimony to joy. Someday she will invoke the dark green of her parents’ garden, the living graphs of time, and the pull toward triumph and love. I will be listening because she has already put her one life upon me like a deep impression made in my body. I turn toward her voice. I am all ears.

 

 

 

Gail Hosking is the author of the memoir Snake’s Daughter: The Roads in and out of War and the poetry chapbook The Tug. Hosking earned an MFA from Bennington College. Her essays and poetry have been published in such places as The Fourth Genre, Nimrod International, The Florida Review, The South Dakota Review, Cream City Review, and more. Two recent essays were considered “most notable” in Best American Essays of 2014 and 2015.

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