By Francisco Martinezcuello
In Massoud’s Circle, weathered plastic shopping bags are captured by the thorns of Afghan roses. Armored vehicles crisscross in formation. Liberators with their guns pointed bully civilian cars to halt. My convoy breezes by, failing to free the bags from their thorny prison. Through shatterproof glass I see a green-eyed girl with reddish brown stains on her face, barefoot as she walks, sifting through flowers and refuse.
Throughout the green zone, large potted plants and HESCO bastions are strategically placed to serpentine traffic. Colored flags are planted alongside Afghan roses, denoting distances from sentry to target.
Walking the streets with combat load, I reach for a rose through the concertina wire, even though it slices through my uniform. Grabbing the spent brass casing buried in soil now enriched with blood and lead, I imagine the petals against my flesh. I put the brass into my pocket. The weather is warm, drying out the weakened rose. I snap the stem closest to the soil and rest it between the spaces of my armor. The bud fits me like a target, but my M4 carbine deflects the stares as I patrol.
En route to base, I see the green-eyed girl. I hand her the rose, but she’s expressionless. When I look back to wave goodbye, I see the rose has been added to the littered road.
Francisco Martínezcuello was born in Santo Domingo, República Dominicana and raised in Long Island, New York. He has been writing short stories and journaling since he was a teenager. His passion for literature and writing continued throughout his 20 years of Marine Corps service and helped him understand the impact of war on our nation’s veterans. He is a 2017 VCCA Fellow, a product of the 2015 Writer’s Guild Foundation Veteran’s Writer’s retreat and the 2015 Veteran’s Summer Writing Intensive at Marlboro College sponsored by Words After War.
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