By Stacy Murison
The first time, you drive by yourself. You have some idea you are going there, but are still surprised that you know the way, without her, through the turning and turning driveways. Left, left, left, left. Park near the rusted dripping spigot. The wind blows, unseasonably warm for November. You bring the candy bar, her favorite, the one from the specialty chocolate shop, the one with the dark chocolate and light green ribbon of mint. You try to eat yours, but instead, stare at hers, unopened, where you imagine the headstone will go and sob without sound while the wind French-braids your hair just as she would have, and that’s how you know she is here. She is still pushing cicada shells off white birch trunks with her toes, dancing around pine trees with roses garlanded in her hair, singing of her love of tuna and string beans, of percolated coffee, of lemon waxed floors, of gelatin molds, of cherries, of lilacs, of chicken soup, of kasha, of home sweet home, of you.
When Stacy Murison’s not reading and writing essays and teaching English composition, she spends hours contemplating the movement of ants across the expanse of her backyard and watches too many zombie movies. Her work can be found in McSweeney’s Internet Tendency, Assay: A Journal of Nonfiction Studies, Queen Mob’s Tea House, and Flash Fiction Magazine.
Image provided by Rachael Towne via Flickr’s Creative Commons license.
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