By Linda Crowe
Nighttime is the best time. I peek in and watch him sleep in his dim room. Sometimes he talks in his dreams. “Mansion Hills, yeah, yeah. Mansion Hills. Good old 2807,” and I know he’s wandering through his house and his neighborhood, a nice enough neighborhood, but with a name far above its station.
I walk over to the side of his bed and put my hand on his arm. Dark purple splotches— bruises whose genesis he’ll not remember— lie beneath skin thin and dry as Bible paper. He wakes without a start, with his gap-toothed smile. “Where you been all my life?”
I climb up on his bed and sit with my back against the wall, my legs perpendicular over his legs, like I’m still his kid and he’s still my dad.
We hold hands. “How’s the pottery? How’s Kevin? How’s Tim the dog?” His sleepy eyes hold the shadow of a challenge. He’s remembered these things. He got them right, and we both know it.
He squeezes my hand. “I’d marry you in a second,” he says, and we both chuckle. He knows he’s too old for me, and maybe something else.
It’s late, he’s rested. We’re comfortable in his dim room.
Linda Crowe lives in Virginia with her husband, the potter Kevin Crowe. Her work has been published in Virginia Forests Magazine.
Photo by Greg Younger courtesy of Flickr
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