JoAnn, Showing Photographs in Her Studio

June 10, 2024

By Casey Loken

She brings them out for a breath of fresh air, a shot of strong sunlight, a chance to gaze at their textured beauty. They fill the tabletop before us, poster-sized and precious, like children at rest between layers of sturdy white tissue, protected from dust and fingers and harm. We stand in small clumps, a class of undergraduates crowded into a studio that is spacious for one.

She tucks her hair behind her ears and removes the first clean sheet. We lean in to see the photo formerly concealed. Strong winter light pours through the tall windows and illuminates the image–bougainvillea in shades of gray tumbling down a mottled stucco wall. Plucking the print by its edges, she places it on a neighboring table and returns to reveal the next with a private joy she cannot hide. She knows the name of each by heart, recalls the trouble she had with this one, the hot summer evening she took it and was surprised. I shift slightly, witness to an intimacy I do not yet understand.

Then she is finished. We say our first goodbye as she lifts a single white leaf by its corners and fills it with air, meticulous and fluid, a solemn farmer’s wife fetching a clean sheet from the clothesline. Then she covers this face that she loves, running her hands across the paper, smoothing out pockets of air, parting her lips in an unvoiced promise to return.

 

Casey Loken is a writer and educator. Her work has appeared in Minnesota Poetry Calendar, ArtWord Quarterly, The Font and Minnesota Parent. She received an MFA from Hamline University, and lives in Minneapolis with her family. She is currently seeking representation for her first novel, June in Alaska.

 

Image “OLIVE TREES (for Robert Frank)” by JoAnn Verburg

5 Comments

  1. Melinda Burns

    Gorgeous! The pride of the artist, “smoothing out the pockets of air”.

    Reply
  2. Jillian McKelvey

    The awe is in the quiet. The stillness that permeates this essay is breathtaking and breath holding. I can see the artist pinch the tips of her work and gently lift the protective cover, unveiling (anew) the prize that puffs her chest. The students don’t clamour to see. They “lean.” They are struck mute with respect—like God’s light in the morning—and for a moment, the only sound is the air, giving life.

    Reply
  3. Anne Marie Madziak

    Exquisite!

    Reply
  4. Anne Ysunza

    Lovely Casey, You’ve captured the art, and the artist’s movements so deftly, it feels like we’re in the room with her

    Reply
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